Description
A work by Yamaaki, a renowned ceramic artist from Tokoname, celebrated in Japan as a legendary master. The signature reads “Jūōdō Shōsen Saku” (十王堂 松泉作), the seal of the first generation. Pots from the first generation of Yamaaki are becoming increasingly rare and are highly sought after by collectors.
Features:
- Artisan: Yamaaki Kiln
- Design: Round, Nanban shape
- Size: Ideal for chuhin bonsai trees
- Origin: Crafted in Tokoname, Japan
Measurements:
- Outer (l x w x h): 25,0 x 4,0 cm
- Inner (l x w x h): 21,0 x 2,0 cm
This pot is made in the Nanban style, an unglazed, high-fired ceramic known for its rustic and subdued texture. With minimal ornamentation, it highlights the raw, earthy quality of the clay, allowing the natural character of the tree to stand out without distraction.
Nanban pots are particularly well-suited for Bunjin-style bonsai, which emphasize natural, elegant forms. This pot’s rugged and wabi-sabi aesthetic harmonizes beautifully with Bunjin trees, especially those with pale bark such as pines, shinpaku junipers, and zelkova trees, creating a striking contrast.
Bunjin bonsai embodies the classical aesthetics of yohaku no bi (the beauty of empty space) and kotan no bi (the beauty of simplicity and restraint), often seen in Japanese and Chinese ink paintings. This Yamaaki Nanban pot, with its unique curves, subdued elegance, and refined simplicity, perfectly complements these traditional artistic sensibilities.
About Juoudo Shosen – Founder of Yamaaki:
Akiji Kataoka (片岡秋次) founded Yamaaki in 1920, initially establishing it as Kataoka Pottery (片岡製陶所). Under his professional name Juoudo Shosen (十王堂 松泉), he played a key role in elevating Tokoname bonsai pots by researching traditional Chinese designs and refining local clay and production techniques. His workshop utilized a large gas kiln, making it the leading manufacturer of high-end Tokoname bonsai pots.
In addition to his artistic achievements, Juoudo Shosen was also a visionary entrepreneur, modernizing the kiln and incorporating the workshop as a company. In Japan, he is revered as a legendary master, and his works are celebrated worldwide for their exceptional craftsmanship, enjoying great popularity among bonsai enthusiasts.
